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Vesselina Kasarova - I Capuleti -- Ascolta
I Capuleti e i Montecchi (Bellini - 1830)
Acte I, Scene 1 - Rossini ornamented version of Romeo's entrance aria.
Vesselina Kasarova (mezzo-soprano).
Ascolta.
Se Romèo t'uccise un figlio,
In battaglia a lui diè morte :
Incolparne dêi la sorte :
Ei ne se pianse, e piange ancor :
Incolparne dêi la sorte, ecc.
Deh ! ti placa, e un altro figlio
Troverai nel mio signor,
Altro figlio, ecc.
Ostinati e tal sarà.
La tremenda ultrice spada
A brandir Romeo s'appresta,
E qual folgore funesta
Mille morti apporterà.
Ma v'accusi al ciel irato
Tanto sangue invan versato ;
E su voi ricada il sangue
Che alla patria costerà
Acte I, Scene 1 - Rossini ornamented version of Romeo's entrance aria.
Vesselina Kasarova (mezzo-soprano).
Ascolta.
Se Romèo t'uccise un figlio,
In battaglia a lui diè morte :
Incolparne dêi la sorte :
Ei ne se pianse, e piange ancor :
Incolparne dêi la sorte, ecc.
Deh ! ti placa, e un altro figlio
Troverai nel mio signor,
Altro figlio, ecc.
Ostinati e tal sarà.
La tremenda ultrice spada
A brandir Romeo s'appresta,
E qual folgore funesta
Mille morti apporterà.
Ma v'accusi al ciel irato
Tanto sangue invan versato ;
E su voi ricada il sangue
Che alla patria costerà
Переглядів: 3 287
Відео
Joyce DiDonato - I Capuleti -- Ascolta...
Переглядів 16 тис.16 років тому
I Capuleti e i Montecchi (Bellini-1830), Paris Opéra Bastille June 2008. Anna Netrebko, soprano (Giulietta) - Joyce DiDonato, mezzo (Romeo), Matthew Polenzani, tenor (Tebaldo) - Mikhail Petrenko, baryton (Lorenzo) - Giovanni Battista Parodi, bass (Capellio) - Evelino Pidò, conductor - Chorus & Orchestre de l'Opéra national de Paris ACTE I, Scene 1 Ascolta. Se Romèo t'uccise un figlio, In battag...
Anna Netrebko, Joyce DiDonato - I Capuleti - Duet
Переглядів 61 тис.16 років тому
I Capuleti e i Montecchi (Bellini-1830), Paris Opéra Bastille June 2008. Anna Netrebko, soprano (Giulietta) - Joyce DiDonato, mezzo (Romèo), Evelino Pidò, conductor - Chorus & Orchestre de l'Opéra national de Paris - Robert Carsen, Michael Levine & David Cunningham (Designs). ACTE I, Scene 2 « Giuletta tries to explain why she cannot flee her home with Romèo because of her duty to her family. T...
Anna Netrebko - I Capuleti - Deh! Padre mio...
Переглядів 14 тис.16 років тому
I Capuleti e i Montecchi (Bellini-1830), Paris Opéra Bastille June 2008. Anna Netrebko, soprano (Giulietta) - Joyce DiDonato, mezzo (Romeo), Matthew Polenzani, tenor (Tebaldo) - Mikhail Petrenko, baryton (Lorenzo) - Giovanni Battista Parodi, bass (Capellio) - Evelino Pidò, conductor - Chorus & Orchestre de l'Opéra national de Paris ACTE II, Scene 2 - An internal courtyard in Capulet's palace. D...
Anna Netrebko - I Capuleti - Eccomi... Oh! quante volte
Переглядів 286 тис.16 років тому
I Capuleti e i Montecchi (Bellini-1830), Paris Opéra Bastille June 2008. Anna Netrebko soprano (she was pregnant more 6 months), Evelino Pidò conductor, Orchestre de l'Opéra national de Paris. ACTE I, Scene 2 - Giulietta's room - Giulietta laments the contrast between the happy preparations for her wedding and her own sadness and longs to be with her secret lover, Romeo: Eccomi in lieta vesta.....
Questo cellulare costa una fortuna italiano perché non orribile
Bravissima ❤❤
La más grande. Muchas gracias
Hermosa version pero sigo considerando la mejor es la de Bervelly Sills
Brava la Netrebko!
hehe
Saw Anna Netrebko first in LA in Romeo and Juliet, quite young then. Later in LA, much older, with husband....Beautiful lady, beautiful voice...been on a river trip from St. Petersburg to Moscow.....loved the country also!! Arlette Towner, from LA, CA...
Straordinariamente brava in tutto Anna Netrebko!
Прекрасные дамы я Вас люблю и обожаю!
Анна сопрано всех времён! Анна на вершине карьеры! Анна лучше всех!
sublime
❤❤❤
Amazing voice! Best ever Romeo! Fantastic Vesselina! Can’t stop listening years already....!
Does anyone know why Bellini chose to write the part of Romeo as a mezzo-soprano? Were there castrati still active during Bellini's active years? Or was there a compelling reason to include a particular woman vocalist?
Romeo is a mezzo because he is a teenaged boy, and the tradition in opera is to write those roles for mezzo’s as ‘pants roles.’ This is similar to how Mozart wrote Cherubino (Nozze di Figaro) and Idamante (Ideomeneo) for mezzo’s, and how Strauss wrote Octavian (Rosenkavalier) for mezzo’s. The castrati existed up until the beginnings of the recorded era. However, their heyday was really earlier during the baroque era. Castrati roles were actually heroic roles (e.g., military generals). The idea was that the castrati combined a man’s power with a woman’s range.
It also adds to the tragedy of Romeo and Juliet as star-crossed lovers in a world defined by war and hate: Theirs are the only two female voices in the whole opera. They are isolated both by the libretto and the music.
❤️❤️❤️❤️
Bravissima, straordinaria!!!
I wasn't expecting this to be in my recommended
De acuerdo que algunos roles del belcantismo no son para ella, pero éste es uno de los que borda, no es que sea insuperable, es que no hay quien la iguale en este rol. Larga vida a la Diosa.
Escucha la dela SILLS
@@luisnorbertogomez7058 si también e interpreta muy bien, pero el timbre de voz que tenía Netrebko en aquella época ha sido el mas bello, para mi gusto, como soprano.
Oh, my heavens! What an elegant and expressive performance of this marvellous aria by Bellini. All my best wishes. With love from Maria ~ Sweden ❤️
1:31
Thsnk you for your sublime art Anna!
1:53
Difficult to imagine life makes women like this.
super, danke
voce troppo viziata! repertorio non adatto per me!
LA MEJOR INTERPRETACIÓN DE CAPULETI SENTIMIENTO TÉCNICA PERFECCIÓN EN DICCIÓN EXCELENTE
Восхитительно:)ڰۣ✿Браво...Браво:)
MARAVILLOSO DUO
Madnifica Aria
Ricciarelli e Devia un'altra storia.
ANNA NETREBKO - I Capuleti - Deh! Padre mio
Anna Netrebko - I Capuleti - Eccomi.... Oh! quante volte
Fantastico and beautiful women.
Nice page, Lilli - I'll visit again!
Una sola ! quando canta lei :D
maravillosa
ANNA NETREBKO, JOYCE DiDONATO - I CAPULETI Wonderful düet
Wonderful singing!
Bravissimo Ana, eres la mejor soprano del planeta...
Me considero un fans tuya Ana. Spasiva.
<3
I take pleasure of the present.... I love Netrebko & DiDonato... Love them all!
I agree that we should celebrate that we have artists of this calibre today, rather try to compare them with favourites of previous generations to denigrate them. Netrebko's Donna Anna and Violetta are two of the finest, most moving performances I've ever seen. As for Joyce, words fail. Has there has ever been a finer or more committed Rossini mezzo? And she is an unfailing personification of grace, charm, generosity and artistic intelligence who never, ever lets her audience down.
Could not agree with you more re Joyce.
I also couldn't agree with you more. BTW, if you haven't yet seen videos (here on UA-cam) of her master classes, I found them simply fantastic. She has such an attitude of support and affection, not to mention expertise, towards the students, I felt I learned as much as the participants.
I think a select bunch of sopranos and mezzos are on a par with the best ever: Joyce & Anna (Netrobko) included - along with Angela (Georghiu): the tenors and baritones tend to have voices that "spread" a bit more than before and that's not ideal.
I heard Sills & Troyanos do this opera in Boston (twice) -- amazing. But the utterly different voices of Netrebko & DiDonato here are also fantastic. More, please!
I actually worked on that production, as director of the children's choir, but unfortunately was unable to see an entire performance. It was a thrill to see and hear Sills. There was a point where she sang while lying in a coffin. The effect was ethereal. Also, I loved how convincing Troyanos looked, as Romeo, in her costume.
Gorgeous singing!!!
Oh yeah, it's so boring that you bothered to write THREE boring and stupid comments,moron!
what?
Singers do not perfect their technique before they're hurdled onto the operatic stage. Sorry but thats my opinion. We have become so starved of talent and not only that but commercialized in the recent years that we give anyone who can achieve a high C an operatic career. Btb I am not over dramatizing the situation it is true.
Yes emotional diction is required. Opera is. Not only music but acting. However it is my opinion that JDD is very astute in her acting has the required voice. Netrebko however is not only an over actor but she also lacks the voice for many of the roles she chooses or is chosen for and that is partly why the Met is sliding from a high standard, which is...
"REQUIRED" emotional dedication?? REQUIRED?? Do you realize how absolutely ridiculous that sounds? It doesn't even make sense.
I think Tiago was a very lucky young soul to be inside the body of this angelic sounding, gorgeous lady!! Bravissima,my dear!!!You are fabulous!!!
Elle n'est peut-être pas au top niveau coloratures"ma che è bella questa ragazza" et rien que pour ça, je ferais le déplacement pour la voir chanter....
what is the name of this aria?
Wundervoll...
In questa parte la Ricciarelli degli anni d'oro la polverizza...